The Impact of Non-Actors in Cinematic Storytelling, Pt. 3
The Filmmaking of Robert Bresson, Caroline Poggi and Jonathan Vinel
DDD: Director, DOP, Designer
One of our first assignments at the National Film and Television School was a collaboration between a director, a director of photography and a production designer. We were given a day to design a set, and another to shoot a film. based on an emotion. In my case, it was Fear. I devised a story about an office worker losing his mind, haunted by phantoms, which he eventually confronts and overcomes.
I had the opportunity to work with a professional actor, and applied the same concepts I used with non-actors, paying attention to efficiency and economy in mise-en-scene, cinematography, sound design, editing, and music.
The film begins with the back of a man seated within an office cubicle with a bandaged, bloodied head. I chose the 4:3 ratio to convey a sense of claustrophobia, of being closed in (17.1).
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